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David! Thanks for all the philosophical insight. I've been a longtime fan/subscriber. Can't thank you enough!

John Mayer I believe also does this.

He's special and his playing is special. I have always thought that he has always been underrated. I bet you're only familiar with his music that has been played on the radio or highlighted. If you listen to some of his older music there are so many gems just waiting to be discovered. For example, Contigo, Canela, Song of the Wind, so much more. As the saying goes, you're preaching to the choir. May the Grace of God be with you. 😊 ❤

You open my eyes but I believe it’s still going to need a lot of practice ❤❤❤

i know im late, but thanks for teaching exactly what i needed! Awesome video.

Another way to confuse guitarists. Here is simplest method: Just play E major scale or C#minor scale. These two scales are identical. For example if you have a song in A major key just play F# minor scale. So simple. If you learn minor scale you know major scale.

Love learning, just don't like fishing. Thanks

Very thoughtful analysis. Imo up until Recycler all Gibbons' solos were compositions wihtin the song. It was never about stringing a series of minor pentatonic licks together like a lot of his contemporaries did

2 notes is a chord. an A5 is only 2 notes.

Hi David, I must admire you for Your creative approach . It's all very fine and dandy for someone who knows how to play and understands the fret board . But Most people who try to learn need a structure to latch into. I remember when I began learning 50 years ago the information I was given was as if I was a parrot that had to reproduce a certain series of notes back to my tutor so he could pat me on the head and give me a doggy treat and charge me an excessive amount of 💰 cash so he didn't have to pay tax. Most musicians need to know where they are located on the sonic 🗾 map in order for them to be in control of their instruments. just like the captain of a ship 🚢⚓. best Regards John.

While watching this it occurred to me that many of us play on our fingertips because we’re chord players and you have to allow room for all strings to ring. If you play flat you may be able to be more expressive on SINGLE notes because you don’t have to care whether you’re muting adjacent notes.

It nice. Your are great

As superb a teacher as you are a player.

Buddy Miles (RIP) ex batteur de Hendrix et ayant collaboré avec Santana déclarait : il y a eu 2 guitaristes sur cette terre qui étaient dans une autre dimension il s'agit de Jimi Hendrix et Carlos Santana.

Great

Hi David!

L'intention, le cœur et l'âme ne peuvent s'écrire sur une partition. Au-delà des considérations techniques Carlos Santana est un génie.

I got confused when you moved up the fretboard. How do you know where to move it to without knowing note names?Any explanations? TIA!

I got confused when you moved up the fretboard. How do you know where to move it to without knowing note names?Any explanations? TIA!

I got confused when you moved up the fretboard. Any explanations? TIA!

I got confused when you moved up the fretboard. Any explanations? TIA!

im even more confused now

i think this particular guitar is so beautiful that i'm going to order it. good taste in wood

But i never understand for example...if the song is in C major,...can you use D-dorian or G-mixolyidian and so on,.. over it...???

I've been watching your videos a long time but for whatever reason I missed this gem! From the looks of the "views" I think a lot of players missed it too! Great lesson David! THANK YOU!

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I tried this, shut down all the lights and focused on expressing my feelings. The anger and frustration lead to me destroying all guitars in my room in a rage storm.

Brian may says exactly this himself he said in an interview hes not a great singer so he gets his guitar to sing for him !!!

My guy proceeds to explain how easy this lesson will be and goes to his computer and has a picture of a fretless fretboard.😂

Hi, bro. Very cool. i want to and can improv a little, bro. i learn a bit of vocab and change it up. But I get bored with it. After a day or 2 its all the same. Even with not starting on the one or two - get my drift. Short lines long lines. I start with 2 notes maybe then let myself go with a felt rhythm. But that rhythm ends up not changing much- ends up boring. Can you have some realistic stuff that could help?

The notes sound much easier than those scary names Aelian myxolydian etc

t h a n k y o u

Thank you David.

Awesome video man I will definitely put this into practice

Awesome thanks!

May I check what is the backing track you used in the ending improvs ? thanks sir

After watching just one of your videos I enrolled for the class.within a week I'm now playing challenging solos. Thx ❤❤❤❤❤❤❤❤❤❤

Nice lesson. Thank you David

After 50 years of playing...this is thee best tutorial of soloing I have ever seen!

First time I understood this was from rob chapman but..I used to think playing fast like jimmy page was it until my brother showed my dinosaur jr. he said that I don’t have to play fast to be profound. I didn’t understand it then but rob set me straight. It’s great advice!

3:19 - 13:45

Love , love your phrasing ... good phrasing is good music 👍 and thank you for your lessons !

I've purchased a few of your courses David and I haven't run out of things to commit to memory and get under my fingers and tons of strategies to adapt to my playing. I'll be going back to those courses and extracting knowledge and information for years to come. So much there . Thanks.

there is a name for that .. jazzy licks .

Honestly that sounds like a lot of nonsense. 7 minutes of my life I'll never get back.

Love this video David, thank you! I am an academy member but this stuff comes across my RUclips and breathes this new air into my learning, excellent advise.

Cool video and nice playing 👌 just wondering, are you trying to target chord tones as the chords pass by? I always find i cant put as much feeling into it when im having to think too hard!